Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Echo et Narcisse, Gluck's last opera, was a failure on its premiere in Paris in 1779, and has never been...
Reviewed by Stanley Sadie in issue: 11/1988
I gave an enthusiastic welcome to Neeme Jarvi's performance, with the Detroit Symphony Orchestra, of Still's Afro-American Symphony coupled with...
Reviewed by Peter Dickinson in issue: 11/1993
It was wise to issue Jennifer Bate's Beauvais performances of Franck on CD. Rich and beautiful though the LP version...
Reviewed in issue 4/1985
These performances were originally recorded for BBC Radio 3’s regular and imaginative series, Voices, and Black Box promises further issues...
Reviewed by Michael Oliver in issue: 1/2003
This programme of devotional music about the Blessed Virgin drawn from South German, Habsburg and Italian courts is an unusual...
Reviewed by David Vickers in issue: 4/2009
‘One of the first 12-tone composers in Denmark’, is how the booklet describes Jorgensen (b 1912), but it goes on...
Reviewed by Michael Oliver in issue: 10/2000
In recent years we have become increasingly used to hearing English cathedral music of the 16th century performed by high-octane...
Reviewed in issue 6/2001
As with her earlier NMC anthology (10/99)‚ these 25 pieces were all commissioned by Thalia Myers and the Associated Board...
Reviewed in issue 9/2001
Under the title ‘Modern Milestones’, Claudio Bohórquez brings together three 20th-century cello sonatas that may have little relation one with...
Reviewed by Edward Greenfield in issue: 5/2006
Julius Röntgen (1855-1932), friend of Brahms and Grieg and greatly admired by Tovey, is little known today. This premiere recording...
Reviewed by DuncanDruce in issue: 1/2006
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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