Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
In his recently published Working with Bernstein (10/10), Jack Gottlieb includes extracts from the journal he kept during the New...
Reviewed by David Gutman in issue: 12/2010
If you need evidence of Enescu’s intellectual integrity, consider the case of his second piano sonata, which although locked away...
Reviewed by Rob Cowan in issue: 6/2006
This human and surprisingly modern reworking of the myth of girl turned into laurel tree is Strauss’s Parsifal, a late...
Reviewed by Mike Ashman in issue: 3/2006
The sight of Mars as Napoleon and Terpsichore as a caricature of Ninette de Valois raised quite a few laughs...
Reviewed by hfinch in issue: 4/1987
The opening bars of Bridge's Trio, where violin and cello unite in passionate lament while the piano offers chilling, remote...
Reviewed in issue 4/1987
These recent works demonstrate a certain expansion in Pärt’s horizons (a tendency confirmed by first reports of his Fourth Symphony,...
Reviewed by David Fanning in issue: 5/2009
Evgeny Svetlanov was in a class of his own when it came to conducting Rachmaninov, seeming to have natural instincts...
Reviewed by Geoffrey Norris in issue: 1/2010
The accompanying note to this disc refers to the ‘fascinating debate’ of onevoiceperpart Bach as something of a raison d’être...
Reviewed in issue 10/2001
The appreciative essay on Mirella Freni which accompanies this record describes the 1970s as the soprano's golden years and adds,...
Reviewed in issue 2/1990
Francoise Lengelle's most appealing recording of unpublished pieces by Chambonnieres has changed my view of harpsichords on CD. The immediacy...
Reviewed in issue 9/1987
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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