Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
I enjoyed the F major Nocturne most of all on this budget-price CD. Ogdon plays the opening and closing sections...
Reviewed by Joan Chissell in issue: 3/1987
Georg Muffat (1653-1704) was principally employed in Salzburg and Passau, but in his early years he travelled widely, studying with...
Reviewed by DuncanDruce in issue: 13/2009
Nicholas Cleobury and the admirable Britten Sinfonia give what is, on balance, the most shapely and unaffectedly eloquent realization of...
Reviewed by Andrew Achenbach in issue: 9/1998
The reputation of Johann Jacob Froberger—a much-respected composer who studied with Frescobaldi but absorbed a variety of influences on his...
Reviewed by Lindsay Kemp in issue: 10/1990
A chamber orchestra would not be quite the thing if the object were to represent the splendid sounds heard in...
Reviewed in issue 10/1983
The combination of clarinet and piano does seem to have appealed to British composers (indeed this is a reflection, really,...
Reviewed in issue 11/1987
The anonymous Mass Puis que je vis looks a bit like Dufay and appears in the same manuscript as one...
Reviewed by David Fallows in issue: 11/2003
Even in today’s more tolerant cultural climate it is unlikely that these over-egged Couperin realizations will ever acquire the renown...
Reviewed in issue 10/1999
Devising an overview of Lassus's motets must be a daunting task: the 23 presented here are only a tiny fraction...
Reviewed by Fabrice Fitch in issue: 11/1994
The Orpheus Chamber Orchestra are a youthful body who play, conductorless, with an infectious enthusiasm. They play with enormous spirit,...
Reviewed by Stanley Sadie in issue: 11/1996
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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