Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
‘A hit‚ a very palpable hit’ is how Opera editor‚ Harold Rosenthal‚ greeted this ENO production of Otello when it...
Reviewed in issue 12/2001
Impressive as this recording was in its original LP format, this CD version has even more impact, one of the...
Reviewed by Edward Greenfield in issue: 3/1983
Guitar versions of Schubert’s song-cycle are certainly worth experimenting with for the reasons expounded in the notes to this new...
Reviewed by Alan Blyth in issue: 6/2004
This series is turning into something of a world tour for organist Christopher Herrick, producer Paul Spicer and the rest...
Reviewed by Marc Rochester in issue: 3/1996
The Grieg violin and piano sonatas, each with its own highly distinctive character, make an excellent CD programme, even without...
Reviewed by DuncanDruce in issue: 9/2006
This is an unusual release in that all the music, ranging from motets to a full-scale violin concerto, has arisen...
Reviewed by Peter Dickinson in issue: 10/1997
Here’s a piece about sex. In fact most pieces by Italian composer Sylvano Bussotti in some way relate to the...
Reviewed by Philip_Clark in issue: 5/2007
It was only in the May issue that I greeted—a shade guardedly—the new Amon Ra recording of Beethoven's two main...
Reviewed by Stanley Sadie in issue: 8/1987
The 25-minute first movement of Scriabin's Divine Poem is often something of an endurance test. Not so under Jarvi. His...
Reviewed by John Steane in issue: 10/1991
With over 50 versions of the symphony available, let alone reissues and recouplings galore, a new one must make strong...
Reviewed by John Warrack in issue: 9/1998
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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