Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Onyx Brass’s spaciously recorded recital of Bach and Shostakovich fugues provides an unusual juxtaposition of a celebrated master-apprenticeship separated by...
Reviewed by Jonathan Freeman-Attwood in issue: 9/2008
Giles Swayne (b.1946) shares with his British near-contemporaries, Colin Matthews and Diana Burrell, an ability to write music of very...
Reviewed by Arnold Whittall in issue: 8/1998
If I wanted to recommend a version of these two cycles to a young, impecunious person just coming to Lieder,...
Reviewed by Alan Blyth in issue: 6/1994
Kanon pokajanen is music of transition, best heard at break of day or at eventide. The prompting ‘canon or repentance’...
Reviewed in issue 6/1998
This record is my 'turkey' of the year. The Salt Lake Tabernacle organ is an impressive instrument and with four...
Reviewed by Ivan March in issue: 10/1991
So much trouble did the instrumentation of Les noces cause Stravinsky that he himself claimed not to know how many...
Reviewed in issue 1/1989
This is rather like Herreweghe’s recording of the Beethoven Missa solemnis, which was welcomed by EG (12/95) and enjoyed a...
Reviewed in issue 11/1996
This is the second CD in what I trust will be a series of four, with all 12 of the...
Reviewed by Stanley Sadie in issue: 4/1994
In his book Sopranos, Mezzos, Tenors, Basses and Other Friends (Crown: 1995), Schuyler Chapin, general manager of the Metropolitan Opera...
Reviewed by Patrick O'Connor in issue: 3/2004
This is a welcome issue on two counts. First, the performances are in the hands of a director who well...
Reviewed by Nicholas Anderson in issue: 11/1988
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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