Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The comparison between Kilpinen and Wolf, though repeatedly made, is one that will not travel the whole distance. Certainly their...
Reviewed in issue 11/1992
The way to Brahms's triumphal C major is a strenuous one for Giulini. Naturally there are moments in which to...
Reviewed by Edward Seckerson in issue: 10/1992
This is in some ways an oddly old-fashioned approach to the 1610 Vespers. With a substantial choir and sometimes highly...
Reviewed by David Fallows in issue: 10/1998
In 1733 the new elector of Saxony, Friedrich August II, appointed Hasse his new Kapellmeister but allowed the famous opera...
Reviewed by David Vickers in issue: 9/2011
Peter Seivewright’s recital, the first in a complete survey of Nielsen’s piano music, is very well recorded and comes with...
Reviewed by Robert Layton in issue: 13/1997
Mozart became a freemason in 1784, and from that date onwards wrote a number of pieces that either were intended...
Reviewed by Stanley Sadie in issue: 10/1993
This was my first encounter with Albanian violinist Rudens Turku (who, according to the booklet, will be making his Carnegie...
Reviewed by Andrew Achenbach in issue: 1/2011
Geoffrey Toye (1889-1942) spent much of his working life in the theatre as a composer, conductor and administrator. A waltz...
Reviewed in issue 3/1994
I enjoyed Boris Belkin's account of the Brahms Concerto a great deal more than TH who made a direct comparison...
Reviewed by Ivan March in issue: 9/1985
My first encounter with Bach's poignant and deeply felt funeral music for Christiane Eberhardine, Queen of Poland and Eleetoral Prineess...
Reviewed by Nicholas Anderson in issue: 10/1988
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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