Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
I found this a very lovely and a quite satisfying recital, though it’s possible that for other tastes, and maybe...
Reviewed by John Steane in issue: 12/2009
Violin and electronics has become a much favoured medium: Pierre Boulez’s magisterial Anthèmes II comes to mind but, as these...
Reviewed by kYlzrO1BaC7A in issue: 2/2006
Sessions is slowly making headway—the first five symphonies are available in the British catalogue now and I welcomed, with some...
Reviewed by Peter Dickinson in issue: 2/1995
Till now I had thought of St Louis only as the birthplace of T. S. Eliot, but this notably well...
Reviewed by Richard Osborne in issue: 1/1985
Apart from the ever-popular Piano Concerto there seems little room in today's concert programmes for Grieg's gently nostalgic, beautifully crafted...
Reviewed in issue 1/1987
The original 1981 version of Svanda (or Schwanda, I suppose, since it is sung here in German) comes up as...
Reviewed by John Warrack in issue: 3/1989
The principal value of this release is that it chronicles the performing style of a gifted Canadian string quartet on...
Reviewed by Rob Cowan in issue: 3/2001
Chopin and Mussorgsky make odd bedfellows but Marilyn Frascone’s disc brings them into some form of alliance. Indeed, it is...
Reviewed by Bryce Morrison in issue: 13/2008
First, some practical points. Such is the dramatic improvement in modern technology over the past ten years that this digitally...
Reviewed by Robert Layton in issue: 2/1986
In the musical climate of today it is hard to believe the upheaval and opposition aroused in the mid-1930s by...
Reviewed by Lionel Salter in issue: 6/1991
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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