Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Here is Volume 6 of Naxos’s continuing Moiseiwitsch series, the unfolding of a legend in the best possible transfers taken...
Reviewed by Bryce Morrison in issue: 5/2003
A second Naxos volume of violin concertos by the dashing violinist, swordsman and sometime soldier Joseph Boulogne, Chevalier de Saint...
Reviewed by Lindsay Kemp in issue: 13/2004
Claudio Abbado’s name has not been much associated with Mozart’s over the years – he himself says that he has...
Reviewed by Lindsay Kemp in issue: 13/2008
My hackles rose before I had played even a note of this disc. We are presented with, in what passes...
Reviewed by Alan Blyth in issue: 9/2007
There are some musicians, I am told, who question the abilities of Julian Lloyd Webber as a cellist and Menuhin...
Reviewed in issue 7/1986
For this recording Viktoria Mullova uses a 1750 Guadagnini violin, gut-strung and with a Baroque bow though not, I suspect,...
Reviewed by Lindsay Kemp in issue: 9/2007
The wistful artistry of Arthur Grumiaux serves chamber music handsomely, although fine versions of the Mozart, Beethoven and Berg concertos...
Reviewed in issue 11/1993
This long, loud, intermittently violent, occasionally funny melodramma giocoso was written by Rossini for Rome’s Apollo Theatre during the carnival...
Reviewed by Richard Osborne in issue: 8/2000
‘June 1804’ says the legend at the film’s opening. Denis Matthews (in his Master Musicians volume, Dent: 1985) thought it...
Reviewed by Peter Quantrill in issue: 9/2005
Johann Christian Bach, who converted to Catholicism during his years in Italy, composed a handful of motets but no complete...
Reviewed by Stanley Sadie in issue: 2/2003
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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