Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Here is a demanding Liszt recital indeed, ranging through the B minor Sonata – his most Himalayan challenge – to...
Reviewed by Bryce Morrison in issue: 1/1996
Here is a fine, enterprising recital to delight and above all surprise those accustomed to Harold Schonberg’s image of Moscheles...
Reviewed by Bryce Morrison in issue: 2/2004
As with previous volumes in Hyperion's “Organ Fireworks” series, the programme covers a wide range of moods and styles, from...
Reviewed by Christopher Nickol in issue: 5/2008
The Swiss composer Othmar Schoeck's dates are 1886—1957, so this record can be taken as slightly anticipating the centenary of...
Reviewed in issue 9/1985
Like Maazel's other Telarc recordings made in Cleveland, this brings a brilliant performance and brilliant recorded sound, one which interpretatively...
Reviewed by Edward Greenfield in issue: 8/1985
If you're looking for a big-hearted, quasi-nineteenth-century view of this work, you may warm to Bernstein's 'old-fashioned' reading. As one...
Reviewed by Alan Blyth in issue: 10/1989
If you have a lurking feeling that conductors are often redundant or even, as the violinist Carl Flesch once averred,...
Reviewed by Richard Wigmore in issue: 12/1993
“Jamais deux sans trois” had I ventured when Crawford Young’s second volume of late fourteenth-century secular music appeared with Arcana...
Reviewed by Fabrice Fitch in issue: 8/1998
In the context of recordings Pelleas has nearly always been a fortunate opera, so that competition has remained keen, with...
Reviewed by Lionel Salter in issue: 7/1997
The Turkish composer Ahmed Adnan Saygun, now aged 82, studied in Paris with d'Indy in the late 1920s and later...
Reviewed in issue 8/1985
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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