Review - Charles Ives: The RCA and Columbia Album Anthology
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
In the voluminous history of Don Giovanni recordings, an honoured place has always been accorded to the Giulini version of...
Reviewed by Stanley Sadie in issue: 8/1998
Herman Galynin (found as German Galïnin in New Grove) was a pupil of Myaskovsky and Shostakovich in the 1940s. His...
Reviewed by David Fanning in issue: 13/2008
Writing in Early Music a mere four years ago, John Milsom expressed the hope that the impending completion of the...
Reviewed by Fabrice Fitch in issue: 11/1997
Not the least notable aspects of this CD are the two works, both dating from 1990, that launched their composers’...
Reviewed by Richard_Whitehouse in issue: 2/2009
Perhaps enough has already been said about the occasionally disturbing mis-match between sound and vision that can occur when an...
Reviewed by Michael Oliver in issue: 7/1989
Frank Huang is a winner of many international prizes, culminating in his triumph in the 2003 Naumburg competition, America’s oldest...
Reviewed by Bryce Morrison in issue: 4/2004
The EMI booklet correctly describes Prince Igor as an opera in a Prologue and four acts. However, the recording leaves...
Reviewed by John Warrack in issue: 6/1990
Despite my reservations about his recent Don Giovanni which I reviewed in October, let me say without more ado that...
Reviewed by hfinch in issue: 4/1987
By accident I came to be listening on consecutive days to two recital records, each by a bass. Yesterday it...
Reviewed in issue 12/1991
In June 1939, Sir Adrian Boult travelled to New York to direct two concerts at Carnegie Hall as part of...
Reviewed by Andrew Achenbach in issue: 13/2003
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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