Review - Charles Ives: The RCA and Columbia Album Anthology
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
Movements from Mozart’s piano concertos, especially the slower ones, are often likened to his operatic arias. This comparison seems small...
Reviewed by Mike Ashman in issue: 02/2012
The First Piano Concerto of Wilhelm Stenhammar (1871-1927) has been recorded several times, his Second Concerto less frequently. To my...
Reviewed by Jeremy Nicholas in issue: 02/2012
Conscious summation or not, Shostakovich’s Fifteenth is one of the most inscrutable symphonic masterworks in the repertoire. As the composer...
Reviewed by David Gutman in issue: 02/2012
Schumann’s Cello Concerto, Op 129, is enjoying something of a vogue among violinists at present. Schumann made the arrangement, presumably...
Reviewed by David Threasher in issue: 02/2012
The nature of Rimsky-Korsakov’s fairy-tale operas and the brilliance of his orchestral ear naturally lend themselves to selections such as...
Reviewed by John Warrack in issue: 02/2012
In his time Arne Nordheim (1931-2010) was the most abused and celebrated composer in Norway. The change in attitude from...
Reviewed by Guy Rickards in issue: 02/2012
The first movement of K459 is usually marked Allegro. Here it is Allegro vivace; but the chosen tempo is broadly...
Reviewed by Nalen Anthoni in issue: 02/2012
If I describe the Mendelssohn performance as meticulous, this is not to suggest a lack of spontaneity or awareness of...
Reviewed by Duncan Druce in issue: 02/2012
Hard on the heels of a notably crisp and virile Resurrection, the opening event of Leipzig’s recent international Mahlerthon, Accentus...
Reviewed by David Gutman in issue:
Deutsche Grammophon’s signing of the Seoul Philharmonic (founded as long ago as 1948) under its seasoned Francophile music director has...
Reviewed by David Gutman in issue: 02/2012
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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