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Bezuidenhout: Mozart Keyboard Music

The fourth instalment in Kristian Bezuidenhout’s Mozart solo keyboard music cycle proves remarkably consistent in relation to the previous three...

Reviewed by Jed Distler in issue: 01/2013

LIPATTI Piano Music

Concertino en style classique has four short movements (17'56" overall) of chic Baroque pastiche, the first movement at times edging...

Reviewed by Jeremy Nicholas in issue: 01/2013

CRAVEN Set for Piano

Eric Craven’s Set for Piano – not merely performed but ‘realised and performed’, the cover art declares, by Cork-born pianist...

Reviewed by Philip_Clark in issue: 01/2013

CHOPIN Preludes, Nocturnes, Mazurkas

Pollini first made his mark in Chopin, his gleaming sonority and imperious command a source of wonder to Rubinstein at...

Reviewed by Bryce Morrison in issue: 01/2013

CHOPIN Piano Works

Here is a Chopin recital to make you think again. Anne-Marie McDermott, whose records, notably of Bach and Prokofiev, have...

Reviewed by Bryce Morrison in issue: 01/2013

CHOPIN; SCHUMANN Piano Works

Katia Bronska is a new name to me, though presumably she has been around for some time as in 1987...

Reviewed by Jeremy Nicholas in issue: 01/2013

BEETHOVEN Diabelli Variations

Eloquence presents the first CD publication of a 1971 two-LP set originally issued in DG’s Archiv series, featuring Jörg Demus...

Reviewed by Jed Distler in issue: 01/2013

Scenes from a New Music Séance

While the living are central to the progressive Other Minds festivals in San Francisco, this violin-and-piano spin-off recording features works...

Reviewed by Guy Rickards in issue: 01/2013

Viola Sonatas, Idylls & Bacchanals

British viola music appears to be enjoying something of a renaissance at the moment, what with several recent recordings of...

Reviewed by Jeremy Dibble in issue: 01/2013

Fantasticus: Baroque Chamber Works

Fantasticus are an Amsterdam-based trio consisting of a Japanese violinist, an English gambist/cellist and an Argentinian harpsichordist, and this disc...

Reviewed by Lindsay Kemp in issue: 01/2013

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