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BUXTEHUDE Salvator Mundi (Pierlot)

This selection of works by the composer of the well-known Membra Jesu nostri showcases a range of vocal scorings against...

Reviewed by Fabrice Fitch in issue: 09/2023

ZUBEL Oresteja (Wyrzykowski)

Agata Zubel (b1978), a Polish composer and singer who has worked with some frequency with electronics, describes Oresteja as a...

Reviewed by Ivan Moody in issue: 09/2023

MUSSORGSKY Boris Godunov (Pappano)

It’s Boris Godunov, but not as we know it. Gone is the grandeur and melodrama, the uprising, the fountains, dancing...

Reviewed by Marina Frolova-Walker in issue: 09/2023

LINCKE Frau Luna (Froschauer)

>‘Berlin: whenever I hear that name I simply have to smile!’ If you’re after a recording of ‘Berliner Luft’, the...

Reviewed by Richard Bratby in issue: 09/2023

HANDEL Theodora (Bicket)

Librettist Thomas Morell modelled the story of the martyrdom of Theodora and Didymus during the reign of the Roman emperor...

Reviewed by David Vickers in issue: 09/2023

FRANCK Hulda (Madaras)

The Franck bicentenary last year saw something of a resurgence of interest in Hulda, his third opera, completed in 1885,...

Reviewed by Tim Ashley in issue: 09/2023

CAVALLI Il Xerse (Sardelli)

Here is another opera more familiar from the history books than in the theatre. It was staged in the Louvre...

Reviewed by Richard Lawrence in issue: 09/2023

Munich Opera Horns: Voyager

If you love the sound of German-Romantic horns, this album is for you. Topped and tailed by two miniatures for...

Reviewed by Guy Rickards in issue: 09/2023

James Ehnes: Mythes

‘Life-enhancing’ was how Richard Bratby described James Ehnes and Andrew Armstrong’s Beethoven sonata cycle for Onyx on the release of...

Reviewed by Tim Ashley in issue: 09/2023

Modern Horn Trios

Ligeti’s Horn Trio (1982) is one of the most powerful musical memorials to a troubled time, just before the retreat...

Reviewed by Arnold Whittall in issue: 09/2023

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