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Review of BEETHOVEN Diabelli Variations, Op 120

BEETHOVEN Diabelli Variations, Op 120

Behold Paul Lewis, a sensitive, cultured and relatively young pianist, determined to thoroughly plot out Beethoven’s Diabelli Variations with methodical,...

Reviewed by Jed Distler in issue: 8/2011

Review of ALBÉNIZ Iberia 1 GRANADOS Goyescas MOMPOU Variations

ALBÉNIZ Iberia 1 GRANADOS Goyescas MOMPOU Variations

Sebastian Stanley is a young English pianist of Spanish origin who suitably entitles his programme El amor y la muerte,...

Reviewed by Bryce Morrison in issue: 08/2011

Review of de Niese: Beauty of the Baroque

de Niese: Beauty of the Baroque

Hailed for the unlikely feat of putting the “sex into Sussex” after her charismatic Cleopatra for the Glyndebourne Festival, Danielle...

Reviewed by Richard Wigmore in issue: 08/2011

Review of WOLF Italienisches Liederbuch

WOLF Italienisches Liederbuch

Never one to understate a case, Wolf dubbed his Italian Songbook “the most original and artistically perfect of all my...

Reviewed by Richard Wigmore in issue: 08/2011

Review of MOZART Requiem

MOZART Requiem

Preferences for Mozart’s ever-beguiling Requiem are now as often based on the edition used as on the performers or performance...

Reviewed by David Threasher in issue: 08/2011

Review of Calleja: The Maltese Tenor

Calleja: The Maltese Tenor

Here Joseph Calleja has decisively entered the Three Tenors zone – and I wish he’d waited a few more years....

Reviewed by David Patrick Stearns in issue: 08/2011

Review of HANDEL Ariodante

HANDEL Ariodante

In 1734 Handel moved his opera company from the King’s Theatre in the Haymarket to John Rich’s new Theatre Royal...

Reviewed by Richard Lawrence in issue: 08/2011

Review of HANDEL Samson. Rodelinda

HANDEL Samson. Rodelinda

Two recordings of Handel operas from early 1959, both starring the young Joan Sutherland and both captured just weeks before...

Reviewed by Edward Greenfield in issue: 08/2011

Review of SCHMITT Psaume 47. La Tragédie de Salomé. Le Palais hanté

SCHMITT Psaume 47. La Tragédie de Salomé. Le Palais hanté

Another month, another recording of Florent Schmitt’s La tragédie de Salomé. Anybody who already has the recent ATMA release by...

Reviewed by Geoffrey Norris in issue: 09/2011

Review of RÓZSA Orchestral Works Volume 2

RÓZSA Orchestral Works Volume 2

Miklós Rózsa, born in Budapest, was one of the most gifted of all the composers who moved from his homeland...

Reviewed by Ivan March in issue: 09/2011


 

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