Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A flamboyant star in her native Germany, Simone Kermes is a dangerous, no-holds-barred singer. Like Cecilia Bartoli, whom she often...
Reviewed by Richard Wigmore in issue: AW/2012
Christiane Karg is a young soprano from Bavaria with an impressively varied list of opera performances behind her: Poppea for...
Reviewed by Richard Lawrence in issue: AW/2012
Claims are made in this set’s handsome booklet for the importance of the ‘pseudo-stereophony’ recording system with which engineer/producer Gerhard...
Reviewed by Mike Ashman in issue: AW/2012
Hot on the heels of its complete Ring cycle from Hamburg, Oehms Classics now offers the current Frankfurt staging. In...
Reviewed by Arnold Whittall in issue: AW/2012
After a bumpy, uneven ride through Parsifal, Marek Janowski’s new live Wagner cycle continues somewhat more majestically with Lohengrin. I...
Reviewed by Mike Ashman in issue: AW/2012
Verdi’s Giovanna d’Arco should come with some sort of ‘surgeon general’s warning’ before anyone hears a note. The real-life Joan...
Reviewed by David Patrick Stearns in issue: AW/2012
There is limited choice for La scala di seta, either on CD or DVD, so it is a shame that...
Reviewed by Richard Fairman in issue: AW/2012
Expectations can’t run too high in what appears to be the DVD debut of Manuel de Falla’s infrequently performed opera...
Reviewed by David Patrick Stearns in issue: AW/2012
La Didone is the third of Cavalli’s 27 surviving operas. It was premiered in 1641 at the Teatro San Cassiano,...
Reviewed by Richard Lawrence in issue: AW/2012
These days it’s not unknown for productions of Berg’s Lulu to omit the first scene of Act 3, as finalised...
Reviewed by Arnold Whittall in issue: AW/2012
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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