Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Arcadia Quartet continue their cycle of string quartets by Mieczysław Weinberg (previous volumes were reviewed in 3/21 and 5/22)...
Reviewed by Richard Whitehouse in issue: 06/2023
No doubt many of us still think of Mark-Anthony Turnage and his music as incorrigibly urban, yet it is more...
Reviewed by David Gutman in issue: 06/2023
When listening to Ligeti’s pre-Cologne music – which is, of course, not the music he became famous for – part...
Reviewed by Liam Cagney in issue: 06/2023
With his background as a viola player in Ensemble Intercontemporain and the Arditti Quartet, together with such enterprising collections as...
Reviewed by Richard Whitehouse in issue: 06/2023
The London Haydn Quartet reaches the end of its period-instrument Hyperion Haydn cycle: well, almost – they still have to...
Reviewed by Richard Bratby in issue: 06/2023
Three string quartets by three composers performed by three different groups. In this sense, ‘Bracing Change 2’ is no different...
Reviewed by Pwyll ap Siôn in issue: 06/2023
’Twas on a Monday morning the gasman came to call’, sang Flanders & Swann. Many years ago, I chose Florian...
Reviewed by David Threasher in issue: 06/2023
Harpsichordist Silas Wollston opens the Sonata in B minor, BWV1014, with particular evocation (a make or break moment, really, when...
Reviewed by Mark Seow in issue: 06/2023
Surely this is the first recording devoted solely to the works for viola da gamba and keyboard by Carl Philipp...
Reviewed by William Yeoman in issue: 06/2023
The Soviet-born Austrian-American novelist, poet, composer, conductor and concert pianist Lera Auerbach’s 24 Preludes for violin and piano were completed...
Reviewed by Rob Cowan in issue: 06/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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