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Review of SCHUMANN Der Rose Pilgerfahrt. Requiem

SCHUMANN Der Rose Pilgerfahrt. Requiem

With this pairing, Christoph Spering continues his exploration of some of the byways of the choral and vocal repertoire. Schumann’s...

Reviewed by David Threasher in issue: 11/2013

Review of PALESTRINA Missa O Magnum Mysterium

PALESTRINA Missa O Magnum Mysterium

Harry Christophers’s Palestrina series continues with a Mass based on one of his own motets, O magnum mysterium (a text...

Reviewed by Fabrice Fitch in issue: 11/2013

Review of MOZART Requiem

MOZART Requiem

‘The Lucerne Festival 2012 has begun with a wonder,’ whispered Die Zeit, as quoted on the packaging for Abbado’s DVD...

Reviewed by David Threasher in issue: 11/2013

Review of MACHAUT Songs from Le Voir Dit

MACHAUT Songs from Le Voir Dit

It feels like the Seventies again. Hyperion has apparently committed itself to a complete set of Machaut’s music. Not just...

Reviewed by David Fallows in issue: 11/2013

Review of HAYDN Mass No 11, 'Nelson Mass'. Symphony No 102

HAYDN Mass No 11, 'Nelson Mass'. Symphony No 102

The Nelson Mass is perhaps Haydn’s most popular church work. This is due in large part to the shocked awe...

Reviewed by David Threasher in issue: 11/2013

Gramophone Classical Music Awards Winner
Review of R HANSON Thanksgiving Music

R HANSON Thanksgiving Music

Born in Birmingham in 1948, the composer and conductor Robert Hanson held directorial posts at both Dartington College of Arts...

Reviewed by Andrew Achenbach in issue: 11/2013

Review of EISLER Ernste Gesänge. Piano sonata Op 1

EISLER Ernste Gesänge. Piano sonata Op 1

It is difficult to imagine a cause less fashionable than that of Hanns Eisler (1898-1962), the Schoenberg pupil who struggled...

Reviewed by David Gutman in issue: 11/2013

Review of HOLST Hymn of Jesus DELIUS Sea Drift

HOLST Hymn of Jesus DELIUS Sea Drift

There can be few more raptly compassionate statements in all music than Delius’s 1903 04 Whitman setting Sea Drift, and...

Reviewed by Andrew Achenbach in issue: 11/2013

Review of CHARPENTIER Motets and Sacred Music

CHARPENTIER Motets and Sacred Music

French Baroque specialist Edward Higginbottom writes eloquently about Charpentier’s neglect in the shadow of more favoured contemporaries, and it seems...

Reviewed by David Vickers in issue: 11/2013

Review of JS BACH St Matthew Passion

JS BACH St Matthew Passion

The appetite for evolving performance practices in Bach’s St Matthew Passion appears undiminished as we have gradually shifted, over the...

Reviewed by Jonathan Freeman-Attwood in issue: 11/2013


 

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