Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here, nicely in time for its first revival, is last year’s Glyndebourne Figaro. Updated to the 1960s, it’s difficult to...
Reviewed by Richard Lawrence in issue: 08/2013
Die Besessenen (‘The Possessed’) is based on a 1930s novel by Witold Gombrowicz whose bizarre and lurid plot suggests affiliations...
Reviewed by Arnold Whittall in issue: 08/2013
‘Conrad Tao has already accomplished more than most musicians do in a lifetime,’ proclaims EMI’s website. To demonstrate Tao’s eclectic...
Reviewed by Harriet Smith in issue: 08/2013
I first came across the Taiwanese-American pianist Jenny Lin in 2002 on a terrific Chinese-themed disc for BIS. Lin doesn’t...
Reviewed in issue 08/2013
In 1961 the London-born pianist John Tilbury – an associate of Cornelius Cardew and Howard Skempton – relocated to Warsaw...
Reviewed by Philip Clark in issue: 08/2013
Right from the opening notes of Freddy Kempf’s new Schumann disc, you grasp what his approach will be, for his...
Reviewed by Harriet Smith in issue: 08/2013
Who would have imagined Arcadi Volodos in Mompou? Celebrated in outsize virtuoso repertoire and for his cool take on the...
Reviewed by Bryce Morrison in issue: 08/2013
A programme of familiar Liszt made thrillingly unfamiliar. Expert Liszt Sonatas may be thick on the ground but few are...
Reviewed by Bryce Morrison in issue: 08/2013
Few pianists take a more honoured position in Spain’s musical life than Martin Jones. He now adds to his Iberian...
Reviewed by Bryce Morrison in issue: 08/2013
For once the hyperbole rings true. Christian Leotta’s fourth volume of Beethoven sonatas is indeed ‘a major addition to other...
Reviewed by Bryce Morrison in issue: 08/2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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