Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Don’t be deceived the number: Bruckner completed his so-called ‘Nullte’ in 1869, one year after the First Symphony, but quickly...
Reviewed by Andrew Achenbach in issue: AW2013
Composer cycles have become a dime a dozen, mostly because they often fall into the trap of focusing on the...
Reviewed by Ken Smith in issue: AW2013
These are new names to me. Andrés Orozco-Estrada, who was born in Colombia, became principal conductor of the Tonkünstler-Orchester Niederösterreich...
Reviewed by Ivan March in issue: AW2013
In his 40-minute symphonic poem Pelleas und Melisande (1902-03), the 29-year-old Arnold Schoenberg showed that he could match Richard Strauss...
Reviewed by Arnold Whittall in issue: AW2013
Fancy a study in interpretative contrasts? Try the opening measures of the Second Concerto’s finale, first with Isabelle Faust and...
Reviewed by Rob Cowan in issue: AW2013
This is the second volume exploring the orchestral output of Berne-born Volkmar Andreae (1879-1962), a figure better known for his...
Reviewed by Andrew Achenbach in issue: AW2013
A fun disc and nearly – but not quite – a terrific one. The Philharmonics are an instrumental ensemble (not...
Reviewed by Jeremy Nicholas in issue: AW2013
Ida Haendel, now well into her eighties, recorded this recital in Japan in 2008. Her legendary career, extending back to...
Reviewed by Duncan Druce in issue: AW2013
The Wihan Quartet are long-established fixtures on the quartet scene, having been founded nearly 30 years ago. They see themselves...
Reviewed by Harriet Smith in issue: AW2013
This is a quite exceptional performance of Rachmaninov’s Cello Sonata. There are a good many versions already in the catalogue...
Reviewed by Geoffrey Norris in issue: AW2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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