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DVOŘÁK Symphony No 2. 3 Slavonic Dances

First, a minor glitch: it occurs at 2'52" into the D major Slavonic Dance (Op 46 No 6), where a...

Reviewed by Rob Cowan in issue: 02/2014

CORELLI The Complete Concerti Grossi

Gli Incogniti and Amandine Beyer have made significant ripples on the Baroque orchestral scene with their flamboyant and refreshing style,...

Reviewed by David Vickers in issue: 02/2014

PFITZNER Piano Concerto REGER Romantic Suite

‘A composition woven out of nerve fibres’ is how Busoni once described his Nocturne symphonique (1912 13) and, with its...

Reviewed by Guy Rickards in issue: 02/2014

BRAHMS Symphony No 4

Plenty to get excited about here, first and foremost the sheer energy of Skrowaczewski’s performance, or most of it; the...

Reviewed by Rob Cowan in issue: 02/2014

Il Pergolese

This could have been so cheesy, couldn’t it? Pergolesi-based improvisations by a jazz singer, a jazz pianist, a classically trained...

Reviewed by Lindsay Kemp in issue: 02/2014

Merton College at 750

The simplest point...

Reviewed by Caroline Gill in issue: 02/2014

Neue Vocalsolisten Stuttgart: Madrigali

The origin of term ‘madrigal’ is a matter of debate: it may be linked to the notion of the mother-tongue,...

Reviewed by Fabrice Fitch in issue: 02/2014

Anne Sofie von Otter: Douce France

Like Edith Piaf,...

Reviewed by Richard Fairman in issue: 02/2014

Conductus Vol 2, Music & poetry from thirteenth-century France

This is the...

Reviewed by David Fallows in issue: 02/2014

Vittorio Grigolo: Ave Maria

This Italian tenor has chosen a personal selection of sacred songs for his new album, many of which he learnt...

Reviewed by Adrian Edwards in issue: 02/2014

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