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Review of STRAUSS Lieder

STRAUSS Lieder

In his introduction to the booklet Thomas Hampson says that he wanted to mark Strauss’s 150th anniversary by offering a...

Reviewed by Richard Fairman in issue: 07/2014

Review of SHOSTAKOVICH Six Romances. Suite on Poems by Michelangelo

SHOSTAKOVICH Six Romances. Suite on Poems by Michelangelo

Shostakovich’s songs continue to lag behind the rest of his output in terms of their representation on recordings and in...

Reviewed by David Fanning in issue: 07/2014

Review of RACHMANINOV Vespers

RACHMANINOV Vespers

It seems these days as though every self-respecting chamber choir is keen to record Rachmaninov’s monumental a cappella masterpiece as...

Reviewed by Malcolm Riley in issue: 07/2014

Review of A Purcell Collection

A Purcell Collection

Voces8 here make use of their intermediate size – neither a choir nor strictly a one-to-a part ensemble – to...

Reviewed by Lindsay Kemp in issue: 07/2014

Review of A & G MAHLER Lieder

A & G MAHLER Lieder

Glasgow-based Linn Records continues to do well by its Scottish artists. As anybody who has heard Karen Cargill in 19th-century...

Reviewed by Richard Fairman in issue: 07/2014

Review of HANDEL Duetti da Camera

HANDEL Duetti da Camera

Last year, the soprano Robert Invernizzi joined forces with the mighty mezzo Sonia Prina for a disc of Baroque duetti...

Reviewed by Alexandra Coghlan in issue: 07/2014

Review of DESENCLOS Requiem. POULENC Litanies à la Vierge noire

DESENCLOS Requiem. POULENC Litanies à la Vierge noire

About two-thirds of this excellent disc is devoted to music by Alfred Desenclos, about whom not much seems to be...

Reviewed by Richard Lawrence in issue: 07/2014

Review of COOPER Silver Threads

COOPER Silver Threads

Jacob Cooper has a simple and logical explanation for why his song-cycle Silver Threads is set for electronics and voice,...

Reviewed by Jed Distler in issue: 07/2014

Review of BRAHMS Ein Deutsches Requiem

BRAHMS Ein Deutsches Requiem

A fine-sounding, sensitively paced German Requiem with good, fairly chaste choral singing and an especially impressive baritone in Thomas E...

Reviewed by Rob Cowan in issue: 07/2014

Review of JS BACH St Matthew Passion

JS BACH St Matthew Passion

Here is a recording drawn from performances in the Herkulessaal in Munich, where Karl Richter recorded his versions in 1958...

Reviewed by Richard Lawrence in issue: 07/2014


 

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