Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
For her debut album, Tamar Beraia, a 27-year-old Georgian pianist, offers a richly comprehensive programme. Her quicksilver brilliance lends a...
Reviewed by Bryce Morrison in issue: 06/2014
As the song says, ‘Nice and easy does it’, except that for those who perform Reger’s organ music, assessing relevant...
Reviewed by Malcolm Riley in issue: 06/2014
Evgenia Rubinova’s wide-ranging recital commences with the Op 12 Pieces, composed when Prokofiev was 15, their balletic charms already spiced...
Reviewed by Bryce Morrison in issue: 06/2014
How on earth does one transfer Paganini’s Op 1, a vade mecum of idiomatic violin pyrotechnics, to the flute? Though...
Reviewed by Jeremy Nicholas in issue: 06/2014
Odradek is a non-profit artist-controlled label that gives all proceeds to the artist after production and distribution costs are recuperated....
Reviewed by Jeremy Nicholas in issue: 06/2014
For the second volume in her Chopin series, the young French pianist Hélène Tysman focuses on the Ballades, interweaving them...
Reviewed by Harriet Smith in issue: 06/2014
In this third volume of Chopin, Louis Lortie offers a bouquet of Nocturnes and Impromptus alongside the Third Sonata on...
Reviewed by Harriet Smith in issue: 06/2014
This legendary disc was made in 1959 when Ashkenazy, aged 22, suffered confinement behind the Iron Curtain. His early recordings...
Reviewed by Bryce Morrison in issue: 06/2014
For Vincenzo Maltempo there are few reservations regarding Alkan’s genius. He admits that Alkan’s works, which range from the epic...
Reviewed by Bryce Morrison in issue: 06/2014
The principal draw here is David Geringas’s reflective and deeply affecting version of the third of Mahler’s Rückert-Lieder, ‘Ich bin...
Reviewed by Rob Cowan in issue: 06/2014
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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