Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is important. Oklahoma! was a big moment – perhaps the big moment – in musical theatre’s ‘coming of age’....
Reviewed by Edward Seckerson in issue: 10/2023
To whichever composer Marc-André Hamelin turns his (amazing) hand(s), he reinvents himself, chameleon-like, to convince you that he is the...
Reviewed by Jeremy Nicholas in issue: 10/2023
This is simply lovely. The violoncello piccolo is slightly smaller than the normal instrument and tuned a fifth higher; the...
Reviewed by Fabrice Fitch in issue: 10/2023
Following his earlier recordings of Liszt’s Sardanapalo (2/19) and A Dante Symphony (4/20) for Audite, Kirill Karabits now turns his...
Reviewed by Christian Hoskins in issue: 10/2023
This issue marks the first foray into contemporary repertoire by John Wilson and the Sinfonia of London. The four works...
Reviewed by Adrian Edwards in issue: 10/2023
At a difficult time for UK new music (the much-loved contemporary ensemble Psappha depressingly having taken the decision to close...
Reviewed by Liam Cagney in issue: 09/2023
American tenor Lawrence Brownlee’s new recording is a very personal project – a disc with a mission. ‘Rising’, in the...
Reviewed by Alexandra Coghlan in issue: 09/2023
This is not the first concept album based around the original sin in the Garden of Eden. It’s not even...
Reviewed by Neil Fisher in issue: 09/2023
It is refreshing to encounter a singer – Robyn Allegra Parton – whose gifts of curation are it would seem...
Reviewed by Edward Seckerson in issue: 09/2023
The name of the German baritone Thomas Laske is new to me, as indeed is that of his superb partner...
Reviewed by Hugo Shirley in issue: 09/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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