Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘If Satie’s piano pieces are so easy, why are they so badly played?’ asks Philip Corner in the chunky booklet...
Reviewed by Philip Clark in issue: 05/2015
This is an intriguing proposition, but one that contains sufficient musical delight to warrant a serious audition. The high quality...
Reviewed by Malcolm Riley in issue: 05/2015
Leaving frantic and over-pressured playing to others, Leon McCawley finds a delicate emotional fervour with no lack of drama in...
Reviewed by Bryce Morrison in issue: 05/2015
Mozart’s piano sonatas are still underrated, I dare say, apart from a handful. There are eight of them here, on...
Reviewed by Stephen Plaistow in issue: 05/2015
Mendelssohn and Howard Shelley are a musical marriage made in heaven. Stylish and delectably light-fingered, Shelley makes a flawless case...
Reviewed by Bryce Morrison in issue: 05/2015
Medtner is a ‘marmite’ composer. Even some fervent pianophiles struggle, especially on a first hearing, with the profusion of ideas...
Reviewed by Jeremy Nicholas in issue: 05/2015
John McCabe was noted, of course, as a composer-pianist, in the former role notably for piano and orchestral works. But...
Reviewed by Guy Rickards in issue: 05/2015
The title of Pablo Márquez’s latest release is intriguing – ‘The Well-Tempered Pig’ – and requires explanation. ‘Cuchi’ was the...
Reviewed by William Yeoman in issue: 05/2015
György Kurtág’s Játékok (‘Games’) is one of the more remarkable musical projects to emerge in the post-war era. Begun in...
Reviewed by Richard Whitehouse in issue: 05/2015
Known for his immense and influential operatic and sacred output, Johann Adolf Hasse wrote relatively little for solo keyboard. All...
Reviewed by Jed Distler in issue: 05/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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