Verdi: Il trovatore at the Royal Opera | Live Review
- Thursday, February 27, 2025
Fantastic chorus work was not always supported by its principal singers in the revival of Adele Thomas's production
Fantastic chorus work was not always supported by its principal singers in the revival of Adele Thomas's production
The 'Battle of the Normas' continued with Cyril Teste directing at the Staatsoper
The 'rare resurrection of an overlooked crown jewel' lights up ENO's stage for its final new production of the 24/25 season
Downes's book balances accessibility with scholarship, avoiding dense academic discussions and favouring clear explanations
Lucy Caplan's history of Black opera on Harvard University Press is undigestibly academic
It’s an effective staging, simple yet detailed at the same time, and the narrative is clear
Janáček’s fantastically gnarly score didn’t sound complete minus the grit of the Czech language, such an integral part of his music
Calixto Bieito’s production is generally clear and he focuses on the ever-growing power expressed through technology and AI
The dynamic control of the opening chorus would have been worth the price of admission alone
Yet however good the intentions, the thematic realignment weakened the piece as a drama
Themes of trauma and mob culture were set to music and staged with mixed results in Turnage's world premiere opera
Oliver Mears is a good director, but the final reel is a catastrophe that leaves a nasty taste in the mouth – and not just the one he intends
Despite some first-night imperfect ensemble and tuning, Laurence Equilbey still got to the heart of the piece
A musical triumph was watered down by visual clutter in Christophe Rousset's first Orlando
A muddled, disappointing evening for the Haus am Ring
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