Strauss: Intermezzo at Semperoper Dresden | Live Review
- Thursday, November 21, 2024
A breezy, entertaining new production of Strauss's comedy from Axel Ranisch and the Semperoper Dresden
A breezy, entertaining new production of Strauss's comedy from Axel Ranisch and the Semperoper Dresden
Harry Fehr brings a reading of immense warmth and intimacy to Donizetti's score
Opera Rara continues its Donizetti Song Project at Wigmore Hall, this time with soprano Rosa Feola
The new staging is lively, often misguided and at times plain stupid
A new production of The Charlatan by Pavel Haas, one of Janáček's most gifted students, showcases the prowess of the Czech composer's musical work
A fascinating collection of operatic rarities from the 2024 edition of this Irish opera festival
Of the many ways directors are currently reframing this story, special pleading for Pinkerton seems curiously at odds with the zeitgeist
'Without doubt this is the most ambitious song event in Britain' – Adrian Mourby surveys proceedings at the Oxford-based festival
A mixture of fantasy and fairytale in a handsome but safe opening production
This return of Wagner’s inexhaustible opera to the War Memorial Opera House for the first time in 18 years will undoubtedly be recalled as a high-water mark
It’s good to see Malmö’s chorus centre-stage again, at the heart of a company that appears to be on a roll
Jubilee is a quintessentially ensemble opera, for which Thompson assembled an excellent cast of 13 singers, most of them making their Seattle Opera debuts ⭐⭐⭐⭐
A handsome psychological drama has been created by director Isabella Bywater and her team
An efficient and minimalist set underpins Oliver Mears's new productions of Leonard Bernstein’s rarely-performed operas
Theater Bonn's new production brings a highly comic account of Die Meistersinger, but with some disingenuous staging decisions
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