Saint-Saëns: Six études pour piano, Op 52 (Bärenreiter)
Bärenreiter has done Saint-Säens proud with this release
Bärenreiter has done Saint-Säens proud with this release
Obviously there’s room in the market for compilations like this, but Leon McCawley’s artistry surely deserves a better vehicle
I doubt if Youn’s more neutral performance will win new friends for music dismissed as difficult and obscure
Ney is a classic case of the divided self, the frequent division of an artist’s outer and inner nature
Taken as a whole, this is a remarkably assured set, one that in whole or in part deserves the widest currency
It would be difficult to imagine a less evasive Schubertian, or one who turns such an ironic eye on the amicable and domestic world of the ‘Schubertiads’
There is a wonderful holistic unity, an organic authenticity about the way the exercises are presented
In a very lively acoustic the Steinway piano was too brittle for this music but Fray coaxed it into subtlety between the moments of frenzy
These two performances are definitely worth hearing though they won’t be to all tastes
Cipelli understands the disarming simplicity typifying each piece in the Villageoises suite
He’s the Peter Sellers of pianists: untameable original if you get on his wavelength, merely wilful if you don’t
A pianist-composer in the grand tradition of past greats, Hamelin channels his thoughts through largely episodic or variation structures
It is when you come to Rachmaninov that Emelyanov’s stature and quality become fully apparent
As a cycle this is rather good, and one I will return to often
It’s easy to hear why Gao wowed the Naumburg jury. The 20-year-old pianist never misses a note
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