Features
A tribute to Francis Dillnutt, EMI recording engineer
- Tuesday, October 20, 2015
Ken Townsend, MBE, former Head of Abbey Road Studios, remembers his colleague who died on August 22
What’s wrong with the classical concert experience in the 21st century?
- Monday, October 19, 2015
‘If classical music does indeed have an image problem, what image ought it adopt? What must classical music now pretend to be?’
Carlos Acosta | My Music: ‘For dancers, when we learn the music, it’s already married with the movement’
- Friday, October 16, 2015
The Cuban ballet star on learning to love classical music, as well as his bold plans to re-create Bizet’s Carmen for the Royal Ballet
Editor's Choice recordings – October 2015
- Monday, October 12, 2015
Martin Cullingford’s pick of the finest recordings from this month’s reviews
Making waves: classical music and the rise of streaming
- Tuesday, October 6, 2015
Streaming has changed the way an increasing number of people now listen to music, yet many record labels say that the numbers just don't add up. Charlotte Gardner looks at how the classical music industry is facing up to this fresh challenge
Gluck's Orfeo ed Euridice: which recording should you buy?
- Monday, October 5, 2015
Orfeo ed Euridice, the opera in which Orpheus placates the Furies with his lyre to rescue his beloved, exists on many recordings in at least two versions. In Gluck’s tercentenary year, Richard Wigmore picks the best.
Wolfgang Amadeus Mozart's final year
- Wednesday, September 30, 2015
The story of the last 12 months of Mozart’s life and his shockingly early death at 35 became something of an obsession during the 19th century – a situation that has barely abated since. Richard Wigmore unfolds the chronology and music of that extraordinary and fateful year
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