Dolby Atmos – taking music into a new dimension

• Monday, December 7, 2015

The latest recording by the Choir of King’s College, Cambridge, is released in Dolby Atmos sound: what can this extended surround format bring to our musical enjoyment?

Editor's Choice recordings – December 2015

• Friday, December 4, 2015

Martin Cullingford’s pick of the finest recordings from this month’s reviews

Whether in King's College or a venue near you, the role of music at Christmas

• Friday, December 4, 2015

Fascinating video: Duke Ellington and Leonard Bernstein on the jazz/classical divide

• Thursday, December 3, 2015

Two titans of American music discuss the changing audiences for classical music and jazz in 1966

Inside Vivaldi's opera arias

• Wednesday, December 2, 2015

Soprano Roberta Invernizzi talks to Lindsay Kemp about extreme vocal virtuosity

Top 10 unfairly neglected operas

• Tuesday, December 1, 2015

Operas that are lost or forgotten often suffer a protracted wait before re-emergence. David Patrick Stearns selects 10 notable examples

Happy 70th birthday, Radu Lupu!

• Monday, November 30, 2015

Cellist Steven Isserlis invited musical colleagues from around the world to pay tribute to the great pianist on his 70th birthday

Exclusive gallery and video: Opera Rara prepare Leoncavallo’s Zazà

• Thursday, November 26, 2015

'At Lunch' – the lunchtime concert series with new music at its heart

• Wednesday, November 25, 2015

Top 10 Tallis recordings

• Tuesday, November 24, 2015

No list of 10 recordings can ever claim to be definitive, but each of these albums come highly recommended and are sure to give many hours of listening pleasure

Sound without barriers: recording contemporary music

• Monday, November 23, 2015

Recording has transformed the way new music reaches new listeners, as James McCarthy discovers...

We must make time in our lives for music of substance like Songs for the Coming Day

• Thursday, November 19, 2015

Inside Tchaikovsky’s Fifth Symphony

• Wednesday, November 18, 2015

Conductor Manfred Honeck shares his radical thoughts on the work with Philip Clark