Icons – Stephen Kovacevich
- Monday, March 21, 2016
Geraint Lewis pays tribute to a true ‘pianist’s pianist’ and a complete musician – one who is as much at home on the podium as he is at the keyboard
Geraint Lewis pays tribute to a true ‘pianist’s pianist’ and a complete musician – one who is as much at home on the podium as he is at the keyboard
The Austrian ‘terrorist pianist’ was equally comfortable in both jazz and classical music. Philip Clark dispels the myths surrounding an artist who was entirely sure of his own vision
Mike Ashman champions the versatile, charismatic, no-nonsense American soprano who had a natural way of making herself heard and could leave her sound forever etched on the memory
Tully Potter celebrates the greatest violinist he ever heard in concert, the Soviet player Leonid Kogan, whose rare talent is happily well represented on a host of recordings
They were first heard a century ago and their Beethoven recordings surpass all others. Tully Potter pays tribute to the Busch Quartet
In any gathering of the finest recordings of Janáček's music, one particular conductor's name is always going to loom large...
Conductor Tomáš Netopil talks to Hannah Nepil about finding the true spirit of Janáček
Arnold Whittall celebrates a great British composer and recommends some key recordings
Dvořák’s Fifth is the first wholly personal masterwork in his symphonic canon. Andrew Achenbach separates the great performances on disc from the merely good
So many of Harnoncourt's recordings are highly regarded that it would be impossible to come up with a definitive list of his 'greatest', but those included here are all essential listening...
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