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- Thursday, April 28, 2016
Martin Cullingford’s pick of the finest recordings from this month’s reviews
When the 19th-century symphonic composers were drawn to Shakespeare, some remarkable concert works resulted, writes Tim Ashley.
In 1980 Julian Lloyd Webber undertook a revealing and wide-ranging interview with Yehudi Menuhin that was never published, until now...
John Steane on how the Bard inspired composers - and how music, in turn, inspired him
Many of Ives's works present unique challenges for the performers brave and dedicated enough to tackle them, let alone commit them to disc. Here are some of the finest Ives recordings in the catalogue...
We select ten of the greatest composers England has produced (and some recommended recordings)
Charles Ives left his Concord Sonata for solo piano unfinished for a reason. But what that reason was remains unclear – which, says Philip Clark, presents a challenge to pianists who tackle the work on record
The comedian and playwright on the need for music education and her love of choirs
'He plunged ahead solely on the basis of his ear, his stamina, his conviction, his talent and his need to create' (John McClure, Gramophone, April 1967)
In 2014, Guy Rickards surveyed the achievements of this great exponent of the composer-pianist tradition on the eve of his 75th birthday.
Pianists Stephen Kovacevich and Jean-Yves Thibaudet give their perspectives on Grieg's youthful masterpiece, and Richard Whitehouse provides a detailed analysis
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