Martinů on record
- Tuesday, February 21, 2017
The story of a composer who always enjoyed a close relationship with the record industry
The story of a composer who always enjoyed a close relationship with the record industry
Classical composers Philip Glass and John Corigliano have both had success scoring for the big screen. They debate that relationship with Jed Distler in New York
Despite his struggle for acceptance in the concert-hall, Herrmann's triumphs on the cinema screen secure him a place in the composer's pantheon, argues Nick Shave
Multi-Oscar-nominated composer of film scores for the likes of Star Wars and ET, John Williams still keeps a foot in the classical camp, as Timothy Mangan finds out (Gramophone, 2005)
Les Six, together with Saint-Saëns and Ravel, laid the musical foundations for French cinema, which remains unique to this day, writes Gary Dalkin
For all the talk of the 'top five' America orchestras, it was a Hollywood studio that gave birth to one of the greatest of them all, writes Adrian Edwards
Richard Eyre, on the trials and tribulations of today's film composers
John Amis, Rumon Gamba and Adrian Edwards discuss the legacy of Hitchcock’s favourite musical collaborator
Simply answer our multiple-choice question to be in with a chance of winning this stunning 11-LP box-set
The latest developments have brought the home viewing experience even closer to going to the cinema, says Andrew Everard – in fact, watching in comfort can be even better
Alexandre Desplat on finding the balance between fiction and function
Rostropovich was instrumental in expanding the cello repertoire during his lifetime, as these recordings demonstrate
Rostropovich was a great cellist and conductor, but was also an inspirational teacher...
James Jolly traces the development of the German-language song-cycle
A quick overview of the greatest recordings of Vaughan Williams's Tallis Fantasia
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