Full report: Hamburg’s Elbphilharmonie opens at last

• Friday, January 13, 2017

The controversial and gargantuan project in Germany’s second largest city has finally hosted its first concerts, and Andrew Mellor was there for Gramophone

Top 10 Claudio Abbado recordings

• Thursday, January 12, 2017

A beginner's guide to the finest Claudio Abbado recordings currently available

With orchestras, does age really matter?

• Wednesday, January 11, 2017

Competition: win the complete Haydn symphonies box-set from Decca Classics

• Monday, January 9, 2017

The first complete Haydn symphony-cycle on period instruments, on 35 discs, is yours to win!

Rediscovering Haydn's symphonies, period style

• Monday, January 9, 2017

Ottavio Dantone’s recording Haydn’s Symphonies Nos 79 and 81 is further evidence that, on period instruments especially, Haydn sounds fiercely original, writes Richard Wigmore

Watch: phenomenal Chopin from Seong-Jin Cho

• Thursday, January 5, 2017

The 2015 International Chopin Competition winner live at the Yellow Lounge

Toscanini and opera

• Tuesday, January 3, 2017

Shortly after the conductor's death, Spike Hughes reflected on his contribution to opera for Gramophone in February 1957

How do we choose the right tempo?

• Tuesday, January 3, 2017

Best new classical albums – January 2017

• Tuesday, January 3, 2017

The finest recordings reviewed in the January issue of Gramophone magazine, introduced by Editor Martin Cullingford

Toscanini: the man behind the myth

• Tuesday, January 3, 2017

A classic Gramophone article from June 1943 by FW Gaisberg

Who are today’s Toscaninis – or tomorrow’s?

• Tuesday, January 3, 2017

Toscanini's last stand

• Tuesday, January 3, 2017

The great Toscanini’s final concert with his beloved NBC Symphony Orchestra came dangerously close to disaster. Mike Ashman tells the poignant tale

Introducing Gramophone's January 2017 issue

• Tuesday, January 3, 2017