The return of the Operatic Fantasy
- Wednesday, July 1, 2020
Adrian Bradbury charts the history of the art of the operatic fantasy and champions the revival of a 'lost' tradition
Adrian Bradbury charts the history of the art of the operatic fantasy and champions the revival of a 'lost' tradition
The ‘retirement project’ that started out as a concert hall and picture gallery has blossomed into an independent record label, writes Harriet Smith
Opera arias from Aleksandra Kurzak, Bach from Benjamin Appl and Reinhard Goebel, Thomas Adès from Pekka Kuusisto and Aurora Orchestra and Jonas Kaufmann's Otello, plus some pre-release tracks ...
Alumni from the NYCGB, conducted by Will Dawes, have come together to present a deeply moving performance of Shenandoah
What are our musicians listening to during lockdown? We asked them each to nominate one recording that speaks to them at this particular time …
The pick of the finest recordings from this month’s reviews, including new releases from The Cleveland Orchestra and Franz Welser-Möst, Alina Ibragimova, the Takács Quartet, James Ehnes, Alisa Weilerstein and more...
With so much music available for free, it's important to remember it costs money to make
Let us listen - and shine a light on the shared nature of humanity
Ten short pieces to be recorded in venues vacated due to the virus
The Royal Danish Opera becomes the first in Europe to welcome orchestra, chorus, soloists and audiences back into its theatre
James Jolly's regular playlist includes Robert Trevino conducting Beethoven, Masato Suzuki playing Bach, Martin Fröst reinventing Vivaldi for the clarinet and Yuja Wang playing Rachmaninov. Plus pre-release tracks from Aurora Orchestra, Tenebrae, Fatma Said, Augustin Hadelich and Sir Mark Elder and...
Professor Julian Lloyd Webber conducts musicians from the Royal Birmingham Conservatoire in a socially-distanced tribute to Elgar
In the first of a three-part series, Rob Cowan talks to leading conductors and musicians about the special appeal of Brahms's orchestral works
In the second of a three-part series, Michael Quinn talks about Brahms's chamber and instrumental music with leading artists
Boris Giltburg reflects on the process of playing and recording Bach's Three-Part Inventions alone, at home. Plus, enjoy the full video of the performances...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.