Features

Max Bruch: Touching the Divine

He may have been less adventurous than Brahms but Bruch had a remarkable ear for melody, and in his late works he captured a profound level of expression, writes Andrew Mellor as we approach the centenary of the composer’s death

Why I refuse to accept the current state of (non) play

Jamie Walton, cellist and Founder and Curator of the North York Moors Chamber Music Festival on how live concerts must not be allowed to fade away: 'We seem to be living in some kind of paralysed state, whilst the rest of Europe creatively wakes up'

The Listening Room: Episode 100 (10.8.20)

Magical Franck from Verbier, Jean-Efflam Bavouzet plays Beethoven's Fourth Piano Concerto, John Wilson's ravishing Respighi and Elgar from Elīna Garanča and Daniel Barenboim, plus a clutch of pre-release tracks from Lang Lang, Sabine Devieilhe & Alexandre Tharaud, and Thibaut García

Gramophone Print

  • Print Edition

From £6.67 / month

Subscribe

Gramophone Digital Club

  • Digital Edition
  • Digital Archive
  • Reviews Database
  • Full website access

From £8.75 / month

Subscribe

                              

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.