Est 1923
Kapustin from Dmitry Masleev, Beethoven from Teodor Currentzis, the Sitkovetsky Trio, and Matthias Goerne and Jan Lisiecki, Rattle conducts Wagner, and Duo Pleyel play Schubert's Fantasie
Gramophone's Editor introduces the new issue
The acclaimed British cellist turns his family garage into an arts venue for local arts students to showcase their talents to worldwide audience
Andrew Haveron plays the Korngold Violin Concerto and Jack Liebeck plays Schoenberg's; the Gringolts Quartet are joined by Meta4 for Enescu's Octet, and Amir Katz play Liszt. Barbara Hannigan sings...
Damien Guillon explains the lure of Stradella’s oratorio San Giovanni Battista
Music will continue to play a part in our lives, whatever the challenges
Penelope Thwaites says that the sharing of musical ideas is not necessarily ‘appropriation’
Sarah Nicolls on the only piano in the world where the player can play every part of every string
François Leleux sparkles in Bizet, Mariss Jansons pulls out the stops for Poulenc's Organ Concerto and Franz Welser-Möst's injects high drama into Prokofiev's Third Symphony. Johannes Pramsohler plays...
Sarah Kirkup introduces our first ever Digital Ballet Special and why its offerings are truly unique
James Jolly's latest playlist includes a quartet of concertos – Chopin from Benjamin Grosvenor, Mozart from Charles Richard-Hamelin, Tjeknavorian Snr from Tjeknavorian Jnr, and Adès from Kirill...
Gramophone's Editor introduces the new issue of the magazine
'They’re doing what they do, the way they do it, for a good reason – and while a certain amount of online abuse comes with the territory, the cumulative effect can (and does) damage the psychological...
The concept album has come of age, says soprano Carolyn Sampson
Chief Conductor of the Bournemouth Symphony Orchestra, Kirill Karabits, is bringing Richard Strauss's Elektra to concert halls in Bournemouth and Birmingham
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