Est 1923
Mariss Jansons's last concert, the Emerson Quartet play Schumann, F-X Roth conducts Debussy and pre-release tracks from Yo-Yo Ma and Kathryn Stott, Danill Trifonov, Michael Spyres and Lawrence...
Mirga Gražinytė-Tyla conducts Britten, Bertrand Chamayou plays lullabies, Thibaut Garcia plays Rodrigo and Jakub Józef Orliński sings Purcell
‘While Dyson is clearly at home writing light-hearted, easy-to-approach music, he certainly does not shy away from more complex musical language’
‘Part of this composer’s mastery is the structural backbone to all his music, and the architectural conceit of this piece is frankly fantastic’
Reflecting on our Awards, and on a year like no other
First recordings of flute chamber music by Anton Franz Hoffmeister
Remembering the great guitarist - and his approach to music and life
The background to Home Concert Club - and the difference it's made to musicians
From virtual concerts to online education, could such creative ideas have a place post-pandemic?
Jamie Walton, cellist and Founder and Curator of the North York Moors Chamber Music Festival on how live concerts must not be allowed to fade away: 'We seem to be living in some kind of paralysed...
Magical Franck from Verbier, Jean-Efflam Bavouzet plays Beethoven's Fourth Piano Concerto, John Wilson's ravishing Respighi and Elgar from Elīna Garanča and Daniel Barenboim, plus a clutch of...
Maria Marchant introduces her novel live-streamed concert series, featuring new works written for the piano, premiered every Monday
Ensemble Correspondances has looked at how to make its performing and touring more sustainable - and wants to encourage others to do the same
Concerts and operas watchable at the click of a button serves us audiences well - but we must make sure it serves artists too
Ian Venables reflects upon his largest scale work to date and discusses how an unlikely commission took him in a creative direction that he never thought possible
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