Est 1923

Blogs

The Listening Room (1.7.21)

Andris Nelsons conducts Shostakovich, Vasily Petrenko makes his last recording as MD of the RLPO, Jan Lisiecki and Seong-Jin Cho play Chopin and Elena Fischer-Dieskau plays Brahms

Vivaldi and Social Enterprise

  • Revd Dr Sam Wells

The Vicar of St Martin-in-the-Fields on how the church's charitable and musical lives relate

Conducting in the 21st Century

  • Andrew Mellor

Tomorrow night, we’ll know who has won the 2021 Malko Competition. The contest in Copenhagen has taught us plenty of lessons along the way...

The Listening Room (6.6.21)

Daniel Barenboim conducts Debussy, Kate Lindsey sings Bartolomeo Monari, Patricia Kopatchinskaja plays Francisco Coll and Leif Ove Andsnes plays and conducts Mozart, plus a video track from Oliver...

Matthew Sharp’s CoronAdventure Year

The British cellist follows up from his blog last year, explaining how his desire to keep classical music alive during the pandemic has taken him to France for some wide-ranging artistic projects

The Listening Room (18/5/21)

Richard Strauss from Bertrand Chamayou and Antonio Pappano, Julian Bliss and James Baillieu play Brahms, Weber from Anna Prohaska and Matthias Kirschnereit and Florence Price from Randall Goosby. Plus...

The Listening Room (2/5/21)

Some of the most ear-catching recent releases – including Joby Talbot from Miloš, Tchaikovsky from Paavo Järvi, and Ysaÿe played by James Ehnes – and a tribute to the late and great Christa Ludwig

Gramophone's The Listening Room (6.4.21)

Simon Rattle's Rachmaninov, Pergolesi from Ensemble Resonanz, Peter Jablonski plays Stanchinsky, Anna Lucia Richter sings Monteverdi and Lise Davidsen sings Wagner

Why Thomas de Hartmann?

Elan Sicroff shines a light on an unfairly neglected composer as a new series of recordings is released on the Nimbus label

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