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High End Show 2024: clarifications and mystifications in Munich

Friday, July 12, 2024

| Gramophone

This year’s High End Show, held in Munich’s MOC, provided plenty of food for thought, with innovative demonstrations, unexpected arrivals and the odd head-scratching moment, says Andrew Everard

Bellini: I Capuleti e i Montecchi at Opéra National de Lorraine | Live Review

Review

Wednesday, July 10, 2024

| Opera Now

Bellini's opera takes a new form in the Wild West

Podcast revisited: Rob Cowan on listening to historic recordings

Podcasts

Friday, July 26, 2024

| Gramophone

Listen again to Gramophone's expert on archive albums, Rob Cowan, on what we learn from master musicians of the past

Busoni’s solo piano music: a comprehensive guide

Features

Friday, August 30, 2024

| International Piano

Richard Whitehouse offers a survey of the piano music of Ferruccio Busoni, from derivative early sketches to majestic late masterpieces, and explores its recorded history

Classical Season Preview 2024-25: North America

Features

Friday, September 6, 2024

| Gramophone

What are the most exciting concerts and operas to look forward to over the coming season across North America? Jack Pepper is your guide

Buxton International Festival opera round up | Live Review

Review

Wednesday, August 28, 2024

| Opera Now

A round up of the operas from the 2024 Buxton International Festival

History and metaphor: the evolving role of prison in opera

Features

Thursday, August 22, 2024

| Opera Now

Composer William Gardner explores the history of prison in opera, introducing his new opera 'The Prison' for the Tête-à-Tête Opera Festival

Remember the radio?

Blogs

Friday, September 6, 2024

| Gramophone

Terrestrial radio tuners are something of a rarity these days – but even with the FM service looking set to remain for a while, is the answer to switch to online listening?

Review - G Benjamin: ‘Complete Piano Works’ (Erik Bertsch)

Review

Friday, August 30, 2024

| International Piano

Having this body of work in a single collection has its own justification, and no one – not least those who have heard him play Marco Stroppa (Kairos) – could doubt Bertsch’s expertise or dedication

Bruckner’s Fifth Symphony: a guide to the best recordings

Features

Friday, September 6, 2024

| Gramophone

Everest, or K2? Peter Quantrill surveys a peak of symphonic literature on record: Bruckner’s Fifth Symphony

Beethoven’s Piano Sonata No 31 in A flat, Op 110: a guide to the best recordings

Features

Friday, July 12, 2024

| Gramophone

Beethoven’s penultimate piano sonata stands among the finest achievements of his later years. Charles Timbrell makes a personal selection from its substantial discography

Elena Ruehr: Contemporary Composer

Features

Tuesday, July 2, 2024

| Gramophone

A magisterial series of string quartets forms only one part of this US composer’s multifaceted output, finds Guy Rickards

Icon: Richard Crooks

Features

Friday, September 6, 2024

| Gramophone

Jeremy Nicholas celebrates the US tenor with a repertoire that spanned a wide variety of genres – a major star of the Met Opera who became a household name through radio

How Jubilee is bringing spirituals to the opera stage

Features

Thursday, July 11, 2024

| Opera Now

Tazewell Thompson shares the inspiration behind his opera Jubilee, mapping the experience of the revolutionary Fisk Jubilee Singers

The Chopin Piano Competition, October 17: which piano to choose?

Blogs

Monday, October 18, 2021

| Gramophone

The competitors can choose from five pianos: how do they differ?

The Chopin Piano Competition, day seven: stage two

Blogs

Monday, October 11, 2021

| Gramophone

How are the remaining candidates approaching programming and pacing?

Introducing the October 2024 issue of Gramophone, featuring Johan Dalene

Classical Music News

Friday, September 6, 2024

| Gramophone

Johan Dalene: a celebration of violin virtuosity | Gramophone Awards: the 2024 shortlist | New Season Guide: the best events of 2024-25

Sinfonia Smith Square welcome first ever Organ Fellow

News

Thursday, September 26, 2024

| Choir and Organ

Ben Collyer joins Sinfonia Smith Square's 2024/2025 Fellowship programme

Classical rising: Gramophone's Young Artists of the Year (2014-24)

Features

Wednesday, October 9, 2024

| Gramophone

Explore 10 years of Gramophone Young Artist of the Year Award winners, featuring Yunchan Lim, Lise Davidsen, Johan Dalene, Beatrice Rana and more

Meeting Nadine Sierra: ‘I don’t take my career for granted ... It can very easily be taken away from me’

Features

Thursday, October 3, 2024

| Opera Now

This September, soprano Nadine Sierra returns to the Metropolitan Opera as Gilda in Verdi’s Rigoletto, nearly a decade after her debut in the role. She speaks about her early life, frustrations with the industry and reflects on the deeper truths behind the music

Online concerts & events to enjoy this month: Pärnu Festival, Dudamel's Mahler in Berlin, Opera North's Albert Herring

Features

Friday, October 4, 2024

| Gramophone

Andrew Mellor explores a range of web-based concerts and operas

Gramophone Piano Award 2024: Chopin's Études

Features

Wednesday, October 2, 2024

| Gramophone

Yunchan Lim’s account of Chopin’s Études is among the finest available

Gramophone Concept Album Award 2024: Letter(s) to Erik Satie

Features

Wednesday, October 2, 2024

| Gramophone

With an imaginative and illuminating coupling of the music of two maverick composers, Bertrand Chamayou encourages us to listen afresh

Operalia 2024 winners announced

News

Tuesday, October 8, 2024

| Opera Now

The gala concert finale took place in Mumbai

Frank Dupree interview: ‘I could play Kapustin for the next 10 years, but I also love playing a Brahms or a Beethoven or a Tchaikovsky in between’

Features

Friday, November 1, 2024

| Gramophone

Renaissance man Frank Dupree talks to Jeremy Nicholas with boundless enthusiasm about the appeal of Kapustin’s jazz-inspired music and about his own multifaceted career

Search Results

High End Show 2024: clarifications and mystifications in Munich

Bellini: I Capuleti e i Montecchi at Opéra National de Lorraine | Live Review

Podcast revisited: Rob Cowan on listening to historic recordings

Busoni’s solo piano music: a comprehensive guide

Classical Season Preview 2024-25: North America

Buxton International Festival opera round up | Live Review

History and metaphor: the evolving role of prison in opera

Remember the radio?

Review - G Benjamin: ‘Complete Piano Works’ (Erik Bertsch)

Bruckner’s Fifth Symphony: a guide to the best recordings

Beethoven’s Piano Sonata No 31 in A flat, Op 110: a guide to the best recordings

Elena Ruehr: Contemporary Composer

Icon: Richard Crooks

How Jubilee is bringing spirituals to the opera stage

The Chopin Piano Competition, October 17: which piano to choose?

The Chopin Piano Competition, day seven: stage two

Introducing the October 2024 issue of Gramophone, featuring Johan Dalene

Sinfonia Smith Square welcome first ever Organ Fellow

Classical rising: Gramophone's Young Artists of the Year (2014-24)

Meeting Nadine Sierra: ‘I don’t take my career for granted ... It can very easily be taken away from me’

Online concerts & events to enjoy this month: Pärnu Festival, Dudamel's Mahler in Berlin, Opera North's Albert Herring

Gramophone Piano Award 2024: Chopin's Études

Gramophone Concept Album Award 2024: Letter(s) to Erik Satie

Operalia 2024 winners announced

Frank Dupree interview: ‘I could play Kapustin for the next 10 years, but I also love playing a Brahms or a Beethoven or a Tchaikovsky in between’

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