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ROUSSEL Bacchus et Ariane DEBUSSY 6 Epigraphes antiques

Kazuki Yamada’s new album forms a tacit tribute to the Orchestre de la Suisse Romande’s founder Ernest Ansermet, since the...

Reviewed by Tim Ashley in issue: AW16

STRAVINSKY Petrushka DEBUSSY La boîte à joujoux

Competition could scarcely be fiercer in Petrushka. Unlike Vladimir Jurowski’s recent offering, this one opts for the 1947 version. The...

Reviewed by David Gutman in issue: AW16

CORIGLIANO Symphony No 1 COPLAND Appalachian Spring

This is the third recording of John Corigliano’s Symphony No 1, the American composer’s enraged and elegiac response to the...

Reviewed by Andrew Farach-Colton in issue: AW16

DALE; CLARKE Pieces for Viola

Richard Walthew’s A Mosaic in Ten Pieces (with Dedication) is a long name for a short work. So try this....

Reviewed by Richard Bratby in issue: AW16

BRAHMS Double Concerto

Joshua Bell and Steven Isserlis are distinct musical personalities yet they work together extremely well in Brahms’s interpretatively perilous Double...

Reviewed by Andrew Farach-Colton in issue: AW16

BARTÓK The Miraculous Mandarin. Dance Suite. Contrasts

This disc presents a satisfying if somewhat quirkily planned programme. Near the opening of The Miraculous Mandarin ballet Salonen takes...

Reviewed by Rob Cowan in issue: AW16

JS BACH Brandenburg Concertos

There is not much Bach in the Capella Savaria discography but this Brandenburg Concertos set follows on from a violin...

Reviewed by Lindsay Kemp in issue: AW16

Ave Maria: Music for Upper Voices

The Anglican church is responsible for generating a unique repertoire of music for upper voices – music that is celebrated...

Reviewed by Alexandra Coghlan in issue: AW16

VIVALDI Les Orphelines de Venise

For aeons Andrew Parrott’s version (Virgin, 1/95) was the only noteworthy recording of Vivaldi’s popular Gloria (RV589) that used an...

Reviewed by David Vickers in issue: AW16

V THOMSON Complete songs

‘Virgil Thomson’s composing gift has never relied on interesting ideas, but on the uses to which dull ideas can be...

Reviewed by Philip Kennicott in issue: AW16

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