Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
I’d read chatter on the internet talking up Matthias Pintscher’s 2012 Bereshit, his 30-minute composition for large ensemble, as a...
Reviewed by Philip Clark in issue: 02/2017
Pictures at an exhibition grace the cover of this Pictures at an Exhibition, the result of a collaboration between Gustavo...
Reviewed by David Allen in issue: 02/2017
In November 2016 Mahler’s manuscript score of the Resurrection sold for the highest sum ever paid for such a document....
Reviewed by David Gutman in issue: 02/2017
The Harmonious Society of Tickle-Fiddle Gentlemen is no joking matter. Named after the musicians that gave London’s first public concerts...
Reviewed by Hannah Nepil in issue: 02/2017
Sol Gabetta’s handling of Martinů’s life-affirming First Cello Concerto (1930 55), which over a 25 year period grew from a...
Reviewed by Rob Cowan in issue: 02/2017
With this live recording of the Ninth, Marcus Bosch is close to concluding his Dvořák cycle for Coviello. As in...
Reviewed by Mark Pullinger in issue: 02/2017
The headline act in this January 2016 Munich concert was the cellist Yo-Yo Ma as the eponymous hero of Richard...
Reviewed by Richard Osborne in issue: 02/2017
This is the second version of Bruckner’s Fourth Symphony on DVD and Blu-ray disc conducted by Christian Thielemann to appear...
Reviewed by Christian Hoskins in issue: 02/2017
Sakari Oramo’s recent Ostrobothnian CO version of Britten’s Frank Bridge Variations (Alba, 9/16) served up plenty of food for thought....
Reviewed by Andrew Achenbach in issue: 02/2017
This is a recording made at concerts Rudolf Buchbinder gave with Zubin Mehta and the VPO in the Goldener Saal...
Reviewed by Stephen Plaistow in issue: 02/2017
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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