Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘They speak the language of these composers effortlessly and naturally.’ So says the booklet-note of Latvian sisters Lauma and Baiba...
Reviewed by Andrew Mellor in issue: 10/2016
Modern Dutch solo brass players have a knack for programming. For Wim Van Hasselt it’s the creative outlet from various...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2016
When Mozart’s earliest ‘sonatas for keyboard with violin accompaniment’, K6 9, appeared in Paris in 1764, father Leopold wrote of...
Reviewed by Richard Wigmore in issue: 10/2016
Trio Koch – Luxembourg-based violinist Philippe Koch, his pianist son Jean-Philippe and violinist daughter Laurence – take pride in championing...
Reviewed by Hannah Nepil in issue: 10/2016
‘Lanner, Strauss and their waltzes dominate everything,’ wrote Chopin from Vienna in 1830. Not so much these days. If Johann...
Reviewed by Richard Bratby in issue: 10/2016
Fritz Kreisler took his only string quartet very seriously indeed, and the Artis Quartet follow suit. Cellist Othmar Müller digs...
Reviewed by Richard Bratby in issue: 10/2016
The music of the Russian composer Marina Khorkova mines the idiom associated with Helmut Lachenmann and developed by Mark Andre...
Reviewed by Liam Cagney in issue: 10/2016
Having already produced French and Russian albums, the Atos Trio turn their attention to the Czechs. But the works on...
Reviewed by Hannah Nepil in issue: 10/2016
How do you like your Szymanowski: Romantic sunset or modernist dawn? On its second release, the Meccore Quartet – an...
Reviewed by Richard Bratby in issue: 10/2016
In 2003 the Belcea Quartet recorded a nerves-on-a-knife’s-edge account of Brahms’s C minor Quartet (Op 51 No 1) for EMI....
Reviewed by Andrew Farach-Colton in issue: 10/2016
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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