Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
While not wishing to mislead with excessive praise, Marc Coppey’s 2016 account of the Dvořák Concerto more reminded me of...
Reviewed by Rob Cowan in issue: 08/2017
Copland described his Third Symphony (1946) as an ‘end-of-war piece – intended to reflect the euphoric spirit of the country...
Reviewed by Andrew Farach-Colton in issue: 08/2017
Recent advances in understanding of Bruckner’s work on the unfinished finale of his Ninth Symphony, including the recognition that the...
Reviewed by Christian Hoskins in issue: 08/2017
What a difference six days makes. That’s the amount of time between Thielemann’s performance of Bruckner’s Fourth Symphony on this...
Reviewed by Christian Hoskins in issue: 08/2017
Should a composer’s final thoughts be considered definitive? It’s a question that often arises in connection with the works of...
Reviewed by Christian Hoskins in issue: 08/2017
Conductor-composers tackling Brahms symphonies on disc aren’t exactly thin on the ground: think of Bernstein, Furtwängler, Gielen, Klemperer, Kubelík, Walter...
Reviewed by Rob Cowan in issue: 08/2017
Set in the grounds of a grand Schloss on the plains of Lower Austria, the Grafenegg Festival does well by...
Reviewed by Peter Quantrill in issue: 08/2017
The American composer Robert Beaser has the happy knack of writing orchestrally yet idiomatically for solo classical guitar. Just listen...
Reviewed by William Yeoman in issue: 08/2017
Antheil sometimes plagiarises so unashamedly that listening to his music with real enjoyment demands a suspension of disbelief. His First...
Reviewed by Andrew Farach-Colton in issue: 08/2017
Decca has the Cistercian monks of Heiligenkreuz and the nuns of Notre-Dame-de-L’Annonciation, ClassicFM has the Ampleforth monks, Deutsche Grammophon the...
Reviewed by Alexandra Coghlan in issue: 08/2017
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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