Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The advent of the fully chromatic keyboard led to profound changes in both the character and notation of instrumental music,...
Reviewed by John Duarte in issue: 3/1996
Tantalizingly, no details are available here of exactly when or where (Europe or the USA?) Hofmann made these recordings, with...
Reviewed by Lionel Salter in issue: 2/1992
The latest release from the indefatigable Jordi Savall on his own label Alia Vox brings together laments and battle pieces...
Reviewed in issue 5/2001
This year has already seen the publication of several outstanding viola recordings, and here are two more to keep up...
Reviewed by DuncanDruce in issue: 8/2007
Benjamin Zander’s cycle of the Mahler symphonies with the Philharmonia Orchestra began promisingly with a powerful and individual account of...
Reviewed by Andrew Farach-Colton in issue: 5/2004
Tom Kerstens is one of today’s more adventurous guitarists. Not content with a disc entirely devoted to the music of...
Reviewed by William Yeoman in issue: 10/2008
Chandos continues its most enjoyable film music series with a disc devoted to Sir Arthur Bliss, whose score for Things...
Reviewed in issue 7/2001
There were already two Alcina recordings in the catalogue that no Handelian would want to be without; and now there...
Reviewed by hcanning in issue: 3/2000
Eduard van Beinum was a natural Brahmsian and the Concertgebouw players have this music in their very being. The naturally...
Reviewed by Ivan March in issue: 10/1988
The latest Tippett disc from Chandos and Richard Hickox follows hard on the heels of an EMI British Composers issue...
Reviewed by Arnold Whittall in issue: 3/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.