Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Don’t be misled into expecting a run-of-the-mill programme of Christmas fare! There’s no gentle lullaby here for the Infant Jesus,...
Reviewed in issue 12/1998
Knowledge of Verdi's songs, in relation to his operas, is very like that of Schubert's operas in comparison with his...
Reviewed in issue 9/1987
Inevitably, “The Swan” from The Carnival of the Animals features on this disc of Saint-Saëns’s cello music – and it...
Reviewed by Geoffrey Norris in issue: 1/2010
Argo's first disc featuring the music of Michael Torke (12/90) focused on pieces for small or chamber orchestra-sized ensembles, whilst...
Reviewed by Michael Stewart in issue: 1/1995
1989 was something of an annus mirabilis for recordings of Tallis's works, especially his great responsory Spem in alium: here...
Reviewed by mberry in issue: 2/1991
So far as Beethoven's piano music, his concertos and sonatas, is concerned we are currently in a state of some...
Reviewed by Richard Osborne in issue: 9/1986
What a fine composer Sweelinck was! This second volume of his complete keyboard works (by my reckoning there are enough...
Reviewed by Lindsay Kemp in issue: 6/2009
Stalwart Anglophiles will doubtless already own the Hyperion disc of Vernon Handley’s trusty RPO performance of Rutland Boughton’s Third Symphony...
Reviewed by Andrew Achenbach in issue: 1/1997
A welcome change from the standard coupling of the two concertos, this programme is a distinguished addition to the bicentennial...
Reviewed by Jeremy Nicholas in issue: 13/2010
This new Hoffmann offers a starry international cast against the background of a French chorus and orchestra. It presents Placido...
Reviewed by Andrew Lamb in issue: 3/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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