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Review of HANDEL Theodora

HANDEL Theodora

The first staged production of Theodora was as long ago as 1926 but Glyndebourne’s iconic 1996 production smashed the Handel...

Reviewed by David Vickers in issue: 07/2012

Review of ZACHOW Easter Cantata HANDEL Chorale Cantata

ZACHOW Easter Cantata HANDEL Chorale Cantata

Handel’s name is on the cover, and so is a bold photograph of his statue’s silhouette by the Marktkirche in...

Reviewed by David Vickers in issue: 07/2012

Review of GÓRECKI Choral Music

GÓRECKI Choral Music

There is only one serious problem with this choir – it has the word ‘Youth’ in its name. It may...

Reviewed by Marc Rochester in issue: 07/2012

Review of GESUALDO Quinto libro del madrigali

GESUALDO Quinto libro del madrigali

Twenty years on from their acclaimed ‘Tenebrae’ recording on ECM (3/92), the Hilliard Ensemble return to Gesualdo, this time for...

Reviewed by Fabrice Fitch in issue: 07/2012

Review of DVOŘÁK Songs & Duets

DVOŘÁK Songs & Duets

Designed for the amateur domestic market, Dvořák’s settings of Moravian folk poems captivate with their lyrical grace (Dvořák was as...

Reviewed by Richard Wigmore in issue: 07/2012

Review of DELIUS Mass of Life. Prelude & Idyll

DELIUS Mass of Life. Prelude & Idyll

To witness a performance of Delius’s A Mass of Life, arguably his supreme creative achievement, is to look into the...

Reviewed by Jeremy Dibble in issue: 07/2012

Review of COUPERIN Exultent superi

COUPERIN Exultent superi

Considering that in his three Leçons des ténèbres he produced an unsurpassed gem of Baroque vocal music, it is surprising...

Reviewed by Lindsay Kemp in issue: 07/2012

Review of BRITTEN War Requiem

BRITTEN War Requiem

This latest recording of Britten’s War Requiem arrives almost 50 years to the day after the work’s acclaimed premiere at...

Reviewed by Richard Fairman in issue: 07/2012

Review of JS BACH St Matthew Passion BWV244

JS BACH St Matthew Passion BWV244

The conversation between Peter Sellars and Simon Halsey articulates a lot of what’s special about this ‘ritualisation’ of the Great...

Reviewed by Peter Quantrill in issue: 07/2012

Review of JS BACH Easter Oratorio

JS BACH Easter Oratorio

While the Easter Oratorio derives much of its material from cantatas, it is the only example where Bach employs free...

Reviewed by Jonathan Freeman-Attwood in issue: 07/2012


 

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