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Annie Fischer Recital
Few pianists have found a more direct path to poetic truth than Annie Fischer. Blessedly free of all attitudinising or...
Reviewed by Bryce Morrison in issue: 3/2001
Sacred Music from Venice and Rome
(The) Sixteen | Harry Christophers | Laurence Cummings | Robin Jeffrey
In these days of thematically-planned programmes and historical reconstructions the selection of pieces on this record seems a little random....
Reviewed by Iain Fenlon in issue: 10/1993
60th Anniversary Issue Commemorating Geraldine Farrar
Takemitsu is an instrumental colourist of great accomplishment, and I was accordingly a little sceptical about the possible limitations of...
Reviewed by Arnold Whittall in issue: 4/1995
Mozart Don Giovanni
“In a way, Don Giovanni is the least known of the Da Ponte operas,” avers René Jacobs in the booklet....
Reviewed by Richard Wigmore in issue: 13/2007
Chopin Sonata No 3
With this disc Nikolai Lugansky (for his one-time mentor Tatiana Nikolaieva “the next one” in a line of great Russian...
Reviewed by Bryce Morrison in issue: 9/2010
Bach Organ Chorales
Having already given us the complete Orgel-Buchlein (Hyperion, 8/95) Christopher Herrick now turns his attention to three further chorale prelude...
Reviewed by Marc Rochester in issue: 8/1996
Vienna State Opera Live, Vol. 4
The name of Bjorling tops the bill here, Sigurd as well as Jussi. Compatriots and contemporaries (born within a few...
Reviewed in issue 12/1994
Shostakovich Chamber Works
Jens Harald Bratlie | Oslo Trio | Tchaikovsky Trio
Shostakovich's E minor Trio is a masterpiece, and a surprisingly direct one at that—it's much easier to grasp at first...
Reviewed by Stephen Johnson in issue: 10/1988
Romantic Music for Piano Duet
The Daguls are obviously engaged on a mission to bring the pleasures of duet music to listeners, where here and...
Reviewed in issue 11/1987
Debussy: Orchestral & Chamber Works
The performances of the three late sonatas by Debussy presented here were all recorded within 15 years of the works'...
Reviewed by James Methuen-Campbell in issue: 9/1990
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