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Holmboe Works For Violin & Piano
Holmboe’s reputation rests on his masterly series of symphonies, string quartets and concertos. Few realise that he was a practical...
Reviewed by Guy Rickards in issue: 7/2010
Prokofiev War and Peace
What is it about Prokofiev that so riles the modernists? Even Stravinsky was prepared to allow that Prokofiev’s music had...
Reviewed by David Gutman in issue: 8/2004
Monckton Songs from the Shows
Catherine Bott | New London Light Opera Chorus | New London Orchestra | Richard Suart
Maybe some readers will ask “Lionel who?” Monckton’s name has not been much bandied about in recent decades. One of...
Reviewed by po'connor in issue: 6/2008
Mozart Don Giovanni
In a field that is already so well tilled, a newcomer must offer something special if it is to make...
Reviewed by Alan Blyth in issue: 3/1986
Beethoven Edition, Vol. 3 - Orchestral & Stage Works
Beethoven writing occasional pieces and ballet or incidental music is the composer on automatic pilot or, to put it another...
Reviewed by Alan Blyth in issue: 13/1997
Debussy; Mozart Songs
Juliane Banse and András Schiff have been giving recitals together for several years, but this is their first recording. To...
Reviewed by Patrick O'Connor in issue: 6/2003
Walton Orchestral Works
Bryden Thomson | London Philharmonic Orchestra
This is Bryden Thomson's finest contribution yet to the Chandos Walton series, helped by fuller, more detailed recording than on...
Reviewed by Edward Greenfield in issue: 7/1991
Schubert Mayrhofer Lieder
Andreas Staier | Christoph Prégardien
Prégardien and Staier‚ who have now been musical partners for more than 10 years‚ add to their laurels as interpreters...
Reviewed in issue 1/2002
Leo Miserere – sacred works
(Les) Talens Lyriques | Christoph Rousset
If one can talk of Leonardo Leo’s ‘most famous’ work, it has to be his double-choir Miserere of 1739, a...
Reviewed by Lindsay Kemp in issue: 3/2003
Mahler Symphony No 4
Felicity Lott | Franz Welser-Möst | London Philharmonic Orchestra
This is special, controversial, perhaps, but special. I've not heard the up-and-coming young Austrian conduct Mahler before hope I will...
Reviewed by Edward Seckerson in issue: 12/1988
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