Video: DG120 - The Anniversary Edition unboxing

• Monday, October 15, 2018

DG's new big box-set isn't a 'greatest hits' compilation – it's more interesting than that

Where does streaming leave your record collection?

• Wednesday, October 10, 2018

Celebrating The English Concert at 45

• Wednesday, October 10, 2018

The Listening Room: Episode 46 (8.10.18)

• Monday, October 8, 2018

The amazing variety of approaches to Bach

• Monday, October 8, 2018

Video: full performance of Bartók's Sonata for Two Pianos and Percussion

• Monday, October 8, 2018

Psappha give a thrilling performance of Bartók's masterpiece

Reputations: Montserrat Caballé

• Saturday, October 6, 2018

The soprano who had it all: charisma, technique and sublimity, who has died at the age of 85

Finding musical inspiration in scientific ideas

• Friday, October 5, 2018

Introducing Gramophone's October 2018 issue

• Friday, October 5, 2018

Bach on Record; Ingrid Fliter on Chopin; Vladimir Jurowski on Swan Lake

The best new classical albums: October 2018

• Friday, October 5, 2018

Martin Cullingford’s pick of the finest recordings from this month’s reviews

Patrick Hawes and performers commemorate World War 1

• Thursday, October 4, 2018

In defence of Salieri's failed opera, Les Horaces

• Tuesday, October 2, 2018

In Remembrance

• Tuesday, October 2, 2018

Why does pop music move us?

• Tuesday, October 2, 2018

Arvo Pärt and Viktoria Mullova: searching for musical freedom

• Monday, October 1, 2018

In applying her trademark steel and passion to Arvo Pärt’s measured simplicity, Viktoria Mullova has found hidden depths in his music – perhaps because, like Pärt, this violinist knows what it is to experience Soviet repression, writes Andrew Mellor