Features

Max Bruch: Touching the Divine

He may have been less adventurous than Brahms but Bruch had a remarkable ear for melody, and in his late works he captured a profound level of expression, writes Andrew Mellor as we approach the centenary of the composer’s death

Why I refuse to accept the current state of (non) play

Jamie Walton, cellist and Founder and Curator of the North York Moors Chamber Music Festival on how live concerts must not be allowed to fade away: 'We seem to be living in some kind of paralysed state, whilst the rest of Europe creatively wakes up'

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