From conservatoire to cinema - the cellist behind Todd Field's Tár
- Tuesday, January 24, 2023
Sophie Kauer on how film and fame won't get in the way of practicing
Sophie Kauer on how film and fame won't get in the way of practicing
New recordings of Bruckner's Symphony No 7, Mozart's Violin Concertos Nos 3-5 and more
Hanna Grzeskiewicz of the Hermes Experiment questions how new music can be powerfully conveyed through a more collaborative commissioning process
What should an orchestra be in the third decade of the century? James Jolly discusses the challenges with the Toronto Symphony Orchestra’s new CEO, Mark Williams
This US composer Meredith Monk has continued to work in multiple art forms and to break the mould for more than 50 years
Pianist Clélia Iruzun plays a tribute to Mendelssohn by composer Nimrod Borenstein
Tracing the evolution of the string quartet from Haydn to Britten, via some of the greatest recordings available
No single production can handle all the facets of this fascinating opera, so imagination must come into play. Richard Lawrence selects the best recordings
Franz Liszt’s scintillating journey to the Underworld challenges pianists and thrills audiences. Jeremy Nicholas compares a selection of recordings of this diabolic masterpiece and selects his favourite
Celebrating the qualities of his playing and the many and varied achievements of this Swiss pianist, Stephen Cera highlights the fact that he deserves greater recognition as an innovator
Matthias Goerne's 'Schubert Revisited', Patricia Kopatchinskaja and Fazıl Say reunited, Stephen Hough's First String Quartet
Looking back at 2022's conductor guests on the Gramophone Podcast
Three highly recommended recordings: a modern choice, a classic and a legendary account
The Editor's pick of the albums reviewed in the January 2023 issue, featuring new releases from Javier Camarena, Roderick Williams and the Berlin Philharmonic Orchestra
A complete guide to Tchaikovsky's 1812 Overture, including how audiences, performers and the composer himself have responded to this iconic and surprisingly controversial work
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